1 00:00:01,293 --> 00:00:02,419 Man: CARROLL WAS CONVICTED IN 2004 2 00:00:02,419 --> 00:00:04,254 FOR THE MURDERS OF 14 YOUNG WOMEN. 3 00:00:04,254 --> 00:00:07,758 THERE ARE SO MANY SURPRISES WAITING FOR YOU. 4 00:00:07,758 --> 00:00:09,176 [TELEPHONE RINGING] HELLO? 5 00:00:09,176 --> 00:00:11,178 MOM? I WANT TO GO HOME. WHY CAN'T I COME HOME? 6 00:00:11,178 --> 00:00:12,262 I'M GONNA COME GET YOU. 7 00:00:13,263 --> 00:00:14,807 AAH! 8 00:00:14,807 --> 00:00:16,934 THEY WERE ABLE TO FIND A SIGNAL IN UPSTATE NEW YORK. 9 00:00:16,934 --> 00:00:19,186 JACOB WELLS. PAUL TORRES. 10 00:00:19,186 --> 00:00:20,562 HEY, GUYS. THIS IS MEGAN. 11 00:00:20,562 --> 00:00:22,021 I THOUGHT YOU WEREN'T GONNA DEAL WITH THIS. 12 00:00:22,021 --> 00:00:23,190 Jacob: PAUL'S THE ONE THAT BROUGHT HER HERE. 13 00:00:23,190 --> 00:00:24,692 Paul: JACOB'S NEVER KILLED ANYONE. 14 00:00:24,692 --> 00:00:25,985 I THINK YOU SHOULD DO IT, JACOB, 15 00:00:25,985 --> 00:00:26,944 SINCE YOU NEVER HAVE. 16 00:00:26,944 --> 00:00:28,236 IF YOU WANT TO SEE JOEY, 17 00:00:28,236 --> 00:00:30,698 BE AT THE CORNER OF BROAD AND 26th STREET. 18 00:00:30,698 --> 00:00:32,533 IF YOU WANT TO SEE JOEY, GET IN NOW. 19 00:00:32,533 --> 00:00:34,409 I WON'T SAY IT AGAIN. 20 00:00:34,409 --> 00:00:36,077 THIS IS HANK. RODERICK SENT HIM. 21 00:00:36,077 --> 00:00:38,831 WE NEED TO GET OUT OF HERE, GUYS. 10 MINUTES. 22 00:00:38,831 --> 00:00:40,916 DON'T MOVE! [GUNSHOT] 23 00:00:40,916 --> 00:00:42,209 [MUFFLED SPEECH] MEGAN. 24 00:00:42,209 --> 00:00:43,460 SHH, SHH, SHH. 25 00:00:43,460 --> 00:00:45,754 HEY, JOEY. I'M A FRIEND OF YOUR MOM'S. 26 00:00:45,754 --> 00:00:47,882 SHE SENT ME TO COME TAKE YOU HOME. 27 00:00:47,882 --> 00:00:49,758 DO NOT MOVE. 28 00:00:53,261 --> 00:00:54,513 HAND OVER YOUR WEAPON. 29 00:00:56,891 --> 00:00:58,684 IT'S OK, JOEY. GO TO YOUR ROOM, JOEY. 30 00:00:58,684 --> 00:01:00,185 YEAH. YOU HEARD WHAT HE SAID. GO TO YOUR ROOM. 31 00:01:00,185 --> 00:01:02,103 WHERE'S DENISE? GO TO YOUR ROOM NOW! 32 00:01:02,103 --> 00:01:03,355 DO WHAT HE SAYS. GO TO YOUR ROOM. 33 00:01:09,987 --> 00:01:11,864 NOW TURN AROUND, SLOWLY. 34 00:01:13,866 --> 00:01:15,034 I CAN DO THAT. 35 00:01:17,160 --> 00:01:18,620 OVER THERE BY THE CHAIR. 36 00:01:29,130 --> 00:01:31,717 NOW WHAT? SHUT UP. LET ME THINK. 37 00:01:33,677 --> 00:01:35,804 IT'S RYAN. YEAH, I KNOW WHO HE IS. 38 00:01:37,973 --> 00:01:39,683 Emma: WHERE'S JOEY? HE'S UPSTAIRS. 39 00:01:39,683 --> 00:01:41,810 WHERE'S HANK? Jacob: HE'S IN THE BARN. 40 00:01:41,810 --> 00:01:43,353 HE'S DEAD. 41 00:01:43,353 --> 00:01:44,521 THERE'S A DEAD COP, TOO, BUT 42 00:01:44,521 --> 00:01:45,606 THERE'S PROBABLY MORE ON THE WAY. 43 00:01:45,606 --> 00:01:46,565 WE GOTTA GET OUT OF HERE. 44 00:01:46,565 --> 00:01:47,691 LET'S ALL JUST STAY CALM. 45 00:01:47,691 --> 00:01:48,776 THIS ISN'T A CALM SITUATION. 46 00:01:48,776 --> 00:01:49,860 THIS IS FREAK TIME. 47 00:01:49,860 --> 00:01:51,403 DAMN IT, JACOB, HOLD IT TOGETHER. 48 00:01:51,403 --> 00:01:53,739 HE'S RIGHT, EMMA. THERE'LL BE OTHERS ANY SECOND. 49 00:01:53,739 --> 00:01:54,949 WHO ELSE KNOWS WE'RE HERE? 50 00:01:56,241 --> 00:01:58,243 JUST ME. 51 00:01:58,243 --> 00:01:59,327 AND THE FBI. 52 00:02:00,454 --> 00:02:02,623 LOCAL POLICE, STATE POLICE, 53 00:02:02,623 --> 00:02:06,585 U.S. MARSHALS, SWAT, ATF, HRT. 54 00:02:06,585 --> 00:02:08,169 I'M SURE I'M FORGETTING SOMEONE. 55 00:02:09,504 --> 00:02:10,672 BUT THIS IS THE END. 56 00:02:12,424 --> 00:02:15,469 NONE OF YOU ARE MAKING IT OUT OF HERE. 57 00:02:18,430 --> 00:02:19,723 NOT ALIVE, ANYWAY. 58 00:02:38,241 --> 00:02:39,326 LET'S GO. 59 00:02:44,164 --> 00:02:45,206 WHERE ARE WE? 60 00:03:29,250 --> 00:03:31,128 I WAS TOLD THAT I WOULD SEE MY SON. WHERE IS HE? 61 00:03:33,005 --> 00:03:34,548 I ASKED YOU A QUESTION. 62 00:03:38,135 --> 00:03:39,720 SAY SOMETHING! 63 00:03:40,846 --> 00:03:43,306 I DON'T WANT TO HURT YOU, CLAIRE. 64 00:03:43,306 --> 00:03:44,725 DON'T MAKE ME HURT YOU. 65 00:03:58,113 --> 00:03:59,489 Ava: HOUSE SITS A WAYS FROM THE ROAD. 66 00:03:59,489 --> 00:04:00,866 IT'S JUST BEYOND THAT TREE LINE. 67 00:04:02,117 --> 00:04:03,785 HEY. DOING GOOD. 68 00:04:03,785 --> 00:04:05,370 JUST HANG IN THERE. HOW BIG IS THE PROPERTY? 69 00:04:06,621 --> 00:04:09,124 4 ACRES. MOSTLY FIELDS AND WOODS. 70 00:04:09,124 --> 00:04:11,793 CHIEF, LOPEZ IS DEAD. 71 00:04:11,793 --> 00:04:14,129 HE'S WHAT? HOW? 72 00:04:14,129 --> 00:04:15,547 WE DON'T KNOW THE DETAILS. 73 00:04:15,547 --> 00:04:16,882 HE WAS WITH RYAN HARDY. 74 00:04:20,260 --> 00:04:22,554 HEY. HEY. I'M SORRY ABOUT OFFICER LOPEZ, 75 00:04:22,554 --> 00:04:24,305 BUT I NEED YOU TO FOCUS, CHIEF. 76 00:04:24,305 --> 00:04:26,641 I NEED ALL OF YOUR MEN HERE NOW, OK? 77 00:04:26,641 --> 00:04:28,309 FEDS ARE ON THEIR WAY WITH SWAT AND HRT, 78 00:04:28,309 --> 00:04:29,686 BUT WE NEED TO GUARD THE PERIMETER 79 00:04:29,686 --> 00:04:31,312 SO NO ONE CAN LEAVE THAT PROPERTY BEFORE THEN. 80 00:04:34,775 --> 00:04:36,777 WHERE'S RYAN HARDY NOW? 81 00:04:36,777 --> 00:04:38,153 LAST TIME I SPOKE TO HIM, 82 00:04:38,153 --> 00:04:39,446 HE WAS HEADED INSIDE THE HOUSE. 83 00:04:43,242 --> 00:04:44,325 I FOUND THIS. 84 00:04:45,619 --> 00:04:46,828 SO, TIE HIM UP. 85 00:04:52,542 --> 00:04:54,628 WHAT'S WRONG? HE'S LOOKING AT ME FUNNY. 86 00:04:54,628 --> 00:04:56,922 DO IT. Ryan: YEAH, JACOB. 87 00:04:56,922 --> 00:04:58,298 DO IT. 88 00:04:58,298 --> 00:05:01,135 COME ON. DO IT. 89 00:05:03,762 --> 00:05:05,764 THE SECOND YOU GET WITHIN TWO FEET OF ME, 90 00:05:05,764 --> 00:05:08,100 I'M GONNA SNAP YOUR NECK AND CRACK YOUR SPINE. 91 00:05:08,100 --> 00:05:10,144 I'LL SHOOT YOU DEAD. AND HIS SPINE WILL BE CRACKED. 92 00:05:10,144 --> 00:05:12,520 Paul: AND YOU'LL BE DEAD. AND HIS SPINE WILL BE CRACKED. 93 00:05:14,731 --> 00:05:17,109 HE'S BLUFFING. HOW DO YOU KNOW THAT? HUH? 94 00:05:17,109 --> 00:05:19,861 HE'S FBI. HE KNOWS THIS STUFF. 95 00:05:19,861 --> 00:05:22,697 YUP. I KNOW THAT STUFF. 96 00:05:24,574 --> 00:05:25,826 WHAT WAS THAT? 97 00:05:25,826 --> 00:05:27,577 MY CELL PHONE. 98 00:05:27,577 --> 00:05:29,788 WANT ME TO ANSWER IT? NO. 99 00:05:29,788 --> 00:05:30,998 GIVE IT TO ME. 100 00:05:35,460 --> 00:05:39,173 TAKE IT. 101 00:05:39,173 --> 00:05:41,049 PUT IT ON THE TABLE AND STEP AWAY. 102 00:06:01,320 --> 00:06:03,738 I'M TOO NERVOUS TO SIT. THAT'S ALL. 103 00:06:13,248 --> 00:06:15,625 HOW MUCH LONGER BEFORE I SEE MY SON? 104 00:06:15,625 --> 00:06:17,418 SOON AS I HAVE AN ETA, YOU'LL KNOW. 105 00:06:29,723 --> 00:06:32,226 HOW DO YOU KNOW JOE? 106 00:06:32,226 --> 00:06:33,685 WE MET THROUGH FRIENDS. 107 00:06:37,731 --> 00:06:40,025 I CAN EASILY SLICE INTO THE PRISON LIBRARY SERVERS 108 00:06:40,025 --> 00:06:41,193 AND CREATE A SEPARATE SERVER 109 00:06:41,193 --> 00:06:42,903 THAT PIGGYBACKS ON WHAT'S THERE. 110 00:06:42,903 --> 00:06:44,196 THEY'LL NEVER KNOW. 111 00:06:44,196 --> 00:06:45,780 IT'S VERY SIMILAR TO THE COVERT SYSTEMS 112 00:06:45,780 --> 00:06:46,865 WE HAD IN BAGHDAD, SIR. 113 00:06:46,865 --> 00:06:48,742 HOW LONG WERE YOU IN THE ARMY FOR? 114 00:06:48,742 --> 00:06:52,329 6 YEARS. 4 TOURS IN BAGHDAD, TWO IN KANDAHAR. 115 00:06:52,329 --> 00:06:56,124 I WAS A CORPORAL IN THE CYBER SURVEILLANCE TEAM, SIR. 116 00:06:56,124 --> 00:06:57,667 BUT YOU WERE DISCHARGED. 117 00:07:01,255 --> 00:07:02,714 PSYCHIATRIC DISCHARGE. 118 00:07:07,802 --> 00:07:10,389 THERE'S NO JUDGMENT HERE, CHARLIE. 119 00:07:10,389 --> 00:07:13,641 NO DISGRACE IN SERVING YOUR COUNTRY. 120 00:07:18,479 --> 00:07:20,607 HOW MANY PEOPLE HAVE YOU KILLED? 121 00:07:20,607 --> 00:07:22,692 NINE, SIR. 3 TERRORISTS, 122 00:07:22,692 --> 00:07:24,903 TWO IRAQI SOLDIERS, AND 4 OTHERS. 123 00:07:24,903 --> 00:07:26,571 THE OTHER 4? WHO WERE THEY? 124 00:07:30,491 --> 00:07:32,493 PEOPLE I WANTED DEAD, SIR. 125 00:07:32,493 --> 00:07:36,998 WELL, YOU ARE HANDY TO HAVE AROUND. 126 00:07:40,127 --> 00:07:41,420 DID RODERICK EXPLAIN WHAT IT WAS 127 00:07:41,420 --> 00:07:42,712 I'D LIKE YOU TO DO? 128 00:07:42,712 --> 00:07:45,340 YES, SIR. AND I'M INCREDIBLY GRATEFUL 129 00:07:45,340 --> 00:07:46,465 FOR THE OPPORTUNITY. 130 00:08:02,316 --> 00:08:03,650 WHAT'S ALL THIS FOR? 131 00:08:24,212 --> 00:08:25,797 YOU'VE BEEN WATCHING ME. 132 00:08:30,927 --> 00:08:33,096 YOU DON'T HAVE TO BE AFRAID OF ME, CLAIRE. 133 00:08:33,096 --> 00:08:36,099 IT'S NOT MY INTENTION TO HURT YOU. YOU HAVE TO TRUST ME. 134 00:08:38,435 --> 00:08:40,687 WHY WOULD I EVER TRUST YOU? 135 00:08:41,646 --> 00:08:43,273 BECAUSE I'M YOUR FOLLOWER. 136 00:08:50,238 --> 00:08:51,406 COULD I SIT DOWN? 137 00:08:51,406 --> 00:08:53,116 YEAH. NO! WHAT-- 138 00:08:53,116 --> 00:08:54,201 I MEAN, NO. 139 00:09:01,916 --> 00:09:03,043 SO, PAUL'S IN CHARGE, HUH? 140 00:09:03,043 --> 00:09:05,086 NO. NOBODY'S IN CHARGE. 141 00:09:05,086 --> 00:09:06,338 WELL, THAT WOULD EXPLAIN A LOT. 142 00:09:06,338 --> 00:09:07,964 HEY, YOU SHOULDN'T BE SUCH A SMARTASS 143 00:09:07,964 --> 00:09:09,090 WITH A GUN IN YOUR FACE. 144 00:09:09,090 --> 00:09:10,258 YEAH, PROBABLY NOT. 145 00:09:12,593 --> 00:09:13,803 HOW'S JOEY? 146 00:09:13,803 --> 00:09:14,888 I GAVE HIM HIS SPECIAL MILK. 147 00:09:14,888 --> 00:09:16,306 HE'LL BE ASLEEP IN 10 MINUTES. 148 00:09:16,306 --> 00:09:17,557 YOU DRUGGED HIM? 149 00:09:17,557 --> 00:09:18,892 WHY ISN'T HE TIED UP? 150 00:09:18,892 --> 00:09:22,354 [SIREN] WHAT IS THAT? I HEARD SIRENS. 151 00:09:22,354 --> 00:09:24,856 [BREATHING HEAVILY] IT'S THE COPS. 152 00:09:24,856 --> 00:09:26,316 WHAT ARE THEY DOING? 153 00:09:26,316 --> 00:09:27,984 Ryan: THEY'RE LETTING YOU KNOW YOU'RE SURROUNDED. 154 00:09:27,984 --> 00:09:30,111 I TOLD YOU--NONE OF YOU ARE GETTING OUT OF HERE. 155 00:09:31,446 --> 00:09:32,739 THE SAME GOES FOR YOU. 156 00:09:32,739 --> 00:09:34,241 YEAH, WELL, I'M OK WITH THAT, 157 00:09:34,241 --> 00:09:36,201 BECAUSE I KNOW YOU'RE NOT GONNA HURT JOEY 158 00:09:36,201 --> 00:09:38,619 AND I KNOW THE FBI'S NOT GONNA HURT HIM, 159 00:09:38,619 --> 00:09:40,705 SO I'M OK WITH ANYTHING ELSE. 160 00:09:42,957 --> 00:09:45,793 REALLY? YOU SMUG-- 161 00:09:45,793 --> 00:09:46,836 OH, BE CAREFUL. [ZAPPING] 162 00:09:46,836 --> 00:09:48,880 AAH! [GRUNTING] 163 00:09:51,425 --> 00:09:52,800 WHAT'S GOING ON WITH HIM? 164 00:09:52,800 --> 00:09:54,177 IT'S THE ELECTRIC CURRENT. 165 00:09:54,177 --> 00:09:56,679 IT INTERFERES WITH HIS PACEMAKER. 166 00:09:56,679 --> 00:09:57,764 HE'LL BE OK. 167 00:09:59,391 --> 00:10:00,600 BY THE WAY... 168 00:10:03,603 --> 00:10:04,938 JOE'S IDEA. 169 00:10:07,524 --> 00:10:08,691 NOW TIE HIM UP. 170 00:10:16,575 --> 00:10:18,617 Woman: THE FBI ARRIVED EARLIER TODAY 171 00:10:18,617 --> 00:10:20,828 TO ASSIST LOCAL AUTHORITIES WITH THE CAPTURE 172 00:10:20,828 --> 00:10:23,790 OF 3 SUSPECTS WITH TIES TO JOE CARROLL. 173 00:10:23,790 --> 00:10:26,000 NOW, SOURCES CLAIM THAT THESE ACCOMPLICES 174 00:10:26,000 --> 00:10:30,255 ARE HOLDING CARROLL'S SON HOSTAGE INSIDE THE FARMHOUSE. 175 00:10:38,346 --> 00:10:40,307 OK. BRING ME UP TO SPEED. 176 00:10:40,307 --> 00:10:41,475 RYAN'S STILL INSIDE WITH THE SUSPECTS. 177 00:10:41,475 --> 00:10:42,683 WE CAN'T CONFIRM A NUMBER 178 00:10:42,683 --> 00:10:44,269 OR THE WHEREABOUTS OF JOEY MATTHEWS. 179 00:10:44,269 --> 00:10:46,229 WE HAVE TAPPED INTO THE HOUSE'S SERVER. 180 00:10:50,066 --> 00:10:51,692 THEY'RE TRYING TO E-MAIL SOMEBODY. 181 00:10:51,692 --> 00:10:53,736 LOOKS LIKE IT WENT TO WI-FI, THEN BOUNCED TO SATELLITE. 182 00:10:53,736 --> 00:10:55,196 THIS IS HAPPENING FROM INSIDE THE FARMHOUSE? 183 00:10:55,196 --> 00:10:56,490 YEAH, NO, THIS IS HAPPENING RIGHT NOW. 184 00:10:56,490 --> 00:10:57,740 I CAN GRAB THIS. 185 00:10:57,740 --> 00:11:00,577 HERE IT COMES. I GOT IT. 186 00:11:00,577 --> 00:11:02,329 IT'S ENCRYPTED. DAMN IT! 187 00:11:02,329 --> 00:11:03,413 DID ANYBODY ELSE GET THAT? 188 00:11:05,081 --> 00:11:06,333 COME ON. 189 00:11:10,128 --> 00:11:13,006 JOEY'S SLEEPING. WHAT ARE YOU DOING? 190 00:11:13,006 --> 00:11:14,215 I E-MAILED RODERICK. 191 00:11:14,215 --> 00:11:16,176 I TOLD HIM ABOUT HANK AND RYAN HARDY. 192 00:11:16,176 --> 00:11:17,385 WE NEED MORE HELP. 193 00:11:17,385 --> 00:11:18,886 I AM TRYING TO BE TOUGH HERE, JACOB, 194 00:11:18,886 --> 00:11:21,848 BUT WE ARE IN TROUBLE, AND I DON'T KNOW WHAT TO DO. 195 00:11:21,848 --> 00:11:23,391 RODERICK SENT HANK. 196 00:11:24,767 --> 00:11:26,769 WHAT IF DOESN'T SEND ANYBODY ELSE? 197 00:11:28,355 --> 00:11:30,273 LET'S JUST WAIT TO SEE IF HE ANSWERS. 198 00:11:31,274 --> 00:11:32,733 WE'RE GONNA GET OUT OF THIS. 199 00:11:35,570 --> 00:11:36,988 WE'RE GONNA FIGURE THIS OUT. 200 00:11:38,990 --> 00:11:40,158 HEY? 201 00:11:58,843 --> 00:12:01,638 SO. WHAT'S THE LATEST UPDATE? 202 00:12:01,638 --> 00:12:02,972 I DON'T HAVE MUCH TO REPORT, OTHER THAN 203 00:12:02,972 --> 00:12:04,849 RYAN HARDY IS NOW AT THE FARMHOUSE 204 00:12:04,849 --> 00:12:06,809 IN DUTCHESS COUNTY. 205 00:12:06,809 --> 00:12:07,894 AND CLAIRE? 206 00:12:07,894 --> 00:12:09,103 SHE WENT MISSING EARLIER TODAY 207 00:12:09,103 --> 00:12:11,064 FROM A RESTAURANT ON BROAD STREET. 208 00:12:11,064 --> 00:12:13,149 SHE APPEARS TO HAVE TAKEN YOUR ADVICE. 209 00:12:13,149 --> 00:12:14,733 NO ONE CAN FIND HER. 210 00:12:15,694 --> 00:12:17,111 HMM. HEH. 211 00:12:17,111 --> 00:12:19,113 I THINK IT'S TIME TO KNOW WHAT I'M A PART OF. 212 00:12:20,114 --> 00:12:22,200 WHAT IS THIS ALL ABOUT? 213 00:12:22,200 --> 00:12:25,245 DO YOU REALLY WANT ME TO ANSWER THAT, OLIVIA? 214 00:12:25,245 --> 00:12:27,038 THAT WILL MAKE YOU COMPLICIT 215 00:12:27,038 --> 00:12:29,541 IF, FOR INSTANCE, YOU KNEW 216 00:12:29,541 --> 00:12:31,418 THAT YOUR STATEMENT TO THE PRESS 217 00:12:31,418 --> 00:12:33,336 TRIGGERED A PLAN THAT INCITED 218 00:12:33,336 --> 00:12:34,713 THE ABDUCTION OF MY WIFE. 219 00:12:34,713 --> 00:12:36,297 THAT WOULD MAKE ALL SORTS OF TROUBLE 220 00:12:36,297 --> 00:12:38,508 BOTH FOR YOU AND YOUR CAREER. 221 00:12:38,508 --> 00:12:42,262 YOU DON'T WANT ME TO ANSWER THAT. 222 00:12:42,262 --> 00:12:43,304 DO YOU? 223 00:12:45,306 --> 00:12:46,391 NO. 224 00:12:48,851 --> 00:12:50,103 KEEP ME UPDATED. 225 00:12:59,904 --> 00:13:01,489 YOU'RE GONNA MAKE A PHONE CALL. 226 00:13:02,741 --> 00:13:04,909 NO, THANK YOU. YOU DO IT. 227 00:13:04,909 --> 00:13:06,536 NO, YOU'RE GONNA DO IT. 228 00:13:06,536 --> 00:13:08,747 YOU TELL THOSE COPS OUT THERE TO RETREAT. 229 00:13:08,747 --> 00:13:10,789 I DON'T WANT A COP OR ANYONE 230 00:13:10,789 --> 00:13:11,750 COMING NEAR THIS HOUSE. 231 00:13:11,750 --> 00:13:15,211 OR WHAT? YOU NEED LEVERAGE. 232 00:13:15,211 --> 00:13:17,422 I'M GOOD FOR NOTHING. YOU CAN KILL ME 233 00:13:17,422 --> 00:13:18,632 AND I DON'T CARE. 234 00:13:20,592 --> 00:13:23,177 EVENTUALLY. BUT I THOUGHT WE'D START 235 00:13:23,177 --> 00:13:24,429 WITH OUR LITTLE FRIEND IN THE BASEMENT. 236 00:13:26,097 --> 00:13:27,766 HAVE YOU MET MEGAN? 237 00:13:32,687 --> 00:13:35,898 [ZAPPING] HEY, STOP, STOP, OK, OK. 238 00:13:35,898 --> 00:13:37,317 THOUGHT THAT WOULD DO IT. 239 00:13:44,823 --> 00:13:46,075 ABOUT THAT CALL. 240 00:13:50,705 --> 00:13:53,541 SO, I SEE 6 ENTRANCES, BUT ONLY 3 ACCESS POINTS. IS THAT CORRECT? 241 00:13:53,541 --> 00:13:55,042 YES. WE'VE GOT THE ROADS BLOCKED. 242 00:13:55,042 --> 00:13:56,043 WHAT ABOUT AERIAL SUPPORT? 243 00:13:56,043 --> 00:13:57,420 I NEED CHOPPERS IN THE AIR. 244 00:13:57,420 --> 00:13:58,755 GOT CHOPPERS ON STANDBY FROM POUGHKEEPSIE P.D. 245 00:13:58,755 --> 00:14:00,298 WHAT'S TURNER SAYING? 246 00:14:00,298 --> 00:14:02,425 THEY PUT AN APB OUT TO LOCAL AUTHORITIES IN VIRGINIA 247 00:14:02,425 --> 00:14:04,511 FOR CLAIRE MATTHEWS, BUT THERE'S NO TRACE ON HER CELL HONE. 248 00:14:04,511 --> 00:14:05,762 AND WHAT ABOUT OLIVIA WARREN? 249 00:14:05,762 --> 00:14:07,138 WHAT'S SHE TOLD CLAIRE? 250 00:14:07,138 --> 00:14:08,473 SHE'S NOT TALKING. 251 00:14:08,473 --> 00:14:09,974 SHE KNOWS SOMETHING. 252 00:14:09,974 --> 00:14:12,185 WE'RE MOMENTS AWAY FROM RESCUING CARROLL'S SON 253 00:14:12,185 --> 00:14:14,061 AND HE ORCHESTRATES A MOVE ON HIS EX-WIFE? 254 00:14:14,061 --> 00:14:15,896 [CELL PHONE RINGING] HIS LAWYER'S HELPING HIM COORDINATE A PLAN 255 00:14:15,896 --> 00:14:17,064 AND I WANT TO KNOW WHAT IT IS. 256 00:14:18,399 --> 00:14:19,734 IT'S RYAN. 257 00:14:19,734 --> 00:14:20,777 PICK IT UP. 258 00:14:27,033 --> 00:14:29,452 RYAN, IT'S WESTON. HOW ARE YOU? 259 00:14:29,452 --> 00:14:30,745 COZY AS CAN BE. 260 00:14:30,745 --> 00:14:32,872 I'M SITTING HERE WITH MY 3 NEW FRIENDS 261 00:14:32,872 --> 00:14:34,833 AND A PRETTY GIRL NAMED MEGAN. 262 00:14:34,833 --> 00:14:36,501 MEGAN LEEDS, THE MISSING GIRL 263 00:14:36,501 --> 00:14:37,669 FROM THE GROCERY STORE. 264 00:14:37,669 --> 00:14:38,961 WHAT ABOUT JOEY MATTHEWS? 265 00:14:38,961 --> 00:14:41,506 WELL, THEY'RE KIND OF MAD AT ME RIGHT NOW, 266 00:14:41,506 --> 00:14:42,882 SO I PROBABLY SHOULDN'T TELL YOU 267 00:14:42,882 --> 00:14:44,258 THAT HE'S ASLEEP UPSTAIRS. 268 00:14:44,258 --> 00:14:47,011 WHAT ARE YOU DOING? TELL THEM TO BACK OFF. 269 00:14:47,011 --> 00:14:49,472 EXCUSE ME, IS THAT EMMA HILL I'M HEARING? 270 00:14:50,598 --> 00:14:52,726 EMMA? THIS IS AGENT DEBRA PARKER. 271 00:14:52,726 --> 00:14:53,685 HOW ARE YOU? 272 00:14:53,685 --> 00:14:54,769 [WHISPERING] Say hi. 273 00:14:54,769 --> 00:14:55,770 IS THERE ANYTHING YOU GUYS NEED? 274 00:14:55,770 --> 00:14:57,355 CAN WE GET YOU ANYTHING? 275 00:14:57,355 --> 00:15:00,274 WE WANT THIS TO COME TO A SAFE RESOLUTION FOR EVERYONE. 276 00:15:00,274 --> 00:15:01,735 Emma: THEN GET THE HELL OUT OF HERE. 277 00:15:01,735 --> 00:15:04,362 HAVE YOUR MEN RETREAT OR I WILL KILL MEGAN LEEDS, 278 00:15:04,362 --> 00:15:06,364 AND THEN I'LL START ON RYAN HARDY. 279 00:15:06,364 --> 00:15:07,699 DO YOU UNDERSTAND? 280 00:15:07,699 --> 00:15:09,200 Parker: WE COPY. 281 00:15:09,200 --> 00:15:10,618 NICE ART, BY THE WAY. 282 00:15:11,828 --> 00:15:14,205 WHAT? AT YOUR HOUSE. 283 00:15:14,205 --> 00:15:15,707 IN THE ATTIC, THE MURALS ON THE CEILING. 284 00:15:15,707 --> 00:15:18,459 THE WOMEN--LENORE, "ANNABEL LEE." 285 00:15:19,919 --> 00:15:21,880 YOU'RE A VERY TALENTED ARTIST. 286 00:15:21,880 --> 00:15:23,089 Emma: WHAT DO YOU THINK YOU'RE DOING? 287 00:15:23,089 --> 00:15:25,925 I USED TO DRAW WHEN I WAS YOUNG. 288 00:15:25,925 --> 00:15:27,844 I GAVE IT UP. 289 00:15:27,844 --> 00:15:29,345 BUT WHAT I LIKE ABOUT YOUR WORK IS THAT 290 00:15:29,345 --> 00:15:31,806 ALL OF THE FACES RESEMBLE YOUR MOTHER. 291 00:15:37,937 --> 00:15:39,856 IS THAT NEGOTIATOR TALK? 292 00:15:39,856 --> 00:15:42,650 IT WON'T WORK, LADY. I KILLED MY MOTHER. 293 00:15:42,650 --> 00:15:44,694 I KNOW. MOST OF US ONLY 294 00:15:44,694 --> 00:15:46,320 DREAM ABOUT DOING IT. 295 00:15:46,320 --> 00:15:48,448 THERE HAVE BEEN SO MANY TIMES 296 00:15:48,448 --> 00:15:50,032 I'VE WANTED TO WHACK MY MOM. 297 00:15:51,284 --> 00:15:52,702 YOU MUST MISS HER. 298 00:15:52,702 --> 00:15:55,329 YOUR ART SUGGESTS YOU DO. 299 00:15:55,329 --> 00:15:57,707 I KNOW I MISS MY MOTHER ALL THE TIME. 300 00:15:57,707 --> 00:15:59,333 SCREW YOU. YOU KNOW NOTHING. 301 00:15:59,333 --> 00:16:01,544 ACTUALLY, I KNOW MORE THAN YOU MAY THINK. 302 00:16:04,213 --> 00:16:06,966 HEY. THEY'RE JUST TRYING TO GET UNDER YOUR SKIN, OK? 303 00:16:06,966 --> 00:16:08,092 JUST SHAKE IT OFF. 304 00:16:08,092 --> 00:16:09,427 I'M FINE. OK? 305 00:16:09,427 --> 00:16:10,845 I'M GONNA CHECK OUR E-MAIL. 306 00:16:13,389 --> 00:16:15,224 IT'S OK. JUST GO WITH HER. 307 00:16:16,517 --> 00:16:18,895 Ryan: YOU'RE SLEEPING WITH EMMA? 308 00:16:18,895 --> 00:16:20,939 WAIT. YOU TWO AREN'T GAY? 309 00:16:22,440 --> 00:16:25,359 I'M NOT GAY. 310 00:16:25,359 --> 00:16:28,279 WHAT ABOUT YOU? GAY? 311 00:16:28,279 --> 00:16:29,489 SHUT UP. 312 00:16:42,168 --> 00:16:44,754 HEY. WHAT WAS ALL THAT ABOUT? 313 00:16:44,754 --> 00:16:48,007 SWAT AND HRT ARE STILL AN HOUR OUT. 314 00:16:49,049 --> 00:16:51,093 I WAS TRYING TO... 315 00:16:51,093 --> 00:16:53,596 STALL WHATEVER IT IS THEY MAY BE PLANNING TO DO. 316 00:16:55,890 --> 00:16:58,058 IS IT TRUE ABOUT HER ART? IT'S OF HER MOM? 317 00:16:58,058 --> 00:17:01,813 EVERY SINGLE PAINTING, MURAL, SKETCH 318 00:17:01,813 --> 00:17:02,981 LOOKS LIKE HER MOTHER. 319 00:17:04,022 --> 00:17:06,150 I SUSPECT SHE IS 320 00:17:06,150 --> 00:17:08,820 COMPLETELY TRAUMATIZED BY HAVING KILLED HER. 321 00:17:08,820 --> 00:17:10,196 WHY UNRAVEL HER? 322 00:17:10,196 --> 00:17:14,575 I'M TRYING TO BRING HER GRIEF TO THE SURFACE. 323 00:17:14,575 --> 00:17:18,454 A REMINDER SHE'S HUMAN. SHE HAS A CONSCIENCE. 324 00:17:18,454 --> 00:17:19,956 IT MIGHT MAKE HER RETHINK THE CHOICE 325 00:17:19,956 --> 00:17:21,081 SHE'S ABOUT TO MAKE. 326 00:17:23,209 --> 00:17:25,712 SOUNDS LIKE HER MOTHER DID A NUMBER ON HER. 327 00:17:25,712 --> 00:17:27,046 MINE SURE DID. 328 00:17:28,631 --> 00:17:30,257 PARENTAL INFLUENCE DEFINES US. 329 00:17:56,993 --> 00:17:58,285 HELLO, DEBRA. 330 00:18:00,580 --> 00:18:04,458 LOOK AT YOU. YOU'RE ALL GROWN UP. 331 00:18:04,458 --> 00:18:05,668 HELLO, DALE. 332 00:18:14,886 --> 00:18:16,429 I CAME TO SEE MY FAMILY 333 00:18:16,429 --> 00:18:21,642 IT'S BEEN 15 YEARS. WHY NOW? 334 00:18:21,642 --> 00:18:23,811 BECAUSE IT'S BEEN 15 YEARS. 335 00:18:23,811 --> 00:18:25,813 WHAT MAKES YOU THINK THEY'D WANT TO SEE YOU? 336 00:18:27,899 --> 00:18:29,149 AFTER WHAT YOU'VE DONE. 337 00:18:47,668 --> 00:18:51,714 DEBRA. DON'T BE AFRAID, CHILD. 338 00:19:10,232 --> 00:19:11,484 SHH. 339 00:19:12,485 --> 00:19:14,278 NO. 340 00:19:14,278 --> 00:19:17,782 NO...AAH! 341 00:19:37,677 --> 00:19:41,388 HELLO, MOM, DAD. 342 00:19:55,028 --> 00:19:56,821 ANY WORD? 343 00:19:56,821 --> 00:19:58,656 THEY'VE BEEN DELAYED. BY THE FBI? 344 00:19:58,656 --> 00:20:02,118 I DON'T KNOW. I'M STILL LOOKING INTO IT. 345 00:20:02,118 --> 00:20:03,452 WE'LL HAVE TO BE PATIENT. 346 00:20:03,452 --> 00:20:05,663 PATIENT? HE WAS NEVER COMING, WAS HE? 347 00:20:05,663 --> 00:20:07,665 NO. HE'S COMING, CLAIRE. 348 00:20:07,665 --> 00:20:10,835 THAT'S THE PLAN. YOU'RE GONNA BE REUNITED WITH YOUR SON. 349 00:20:10,835 --> 00:20:12,211 YEAH, AND THEN WHAT? 350 00:20:12,211 --> 00:20:14,588 THERE ARE CERTAIN THINGS I CAN'T TELL YOU. 351 00:20:14,588 --> 00:20:15,965 THAT'S ONE OF THEM. 352 00:20:21,595 --> 00:20:22,930 WHAT DID YOU MEAN 353 00:20:22,930 --> 00:20:24,557 WHEN YOU SAID YOU WERE MY FOLLOWER? 354 00:20:30,354 --> 00:20:33,273 I'VE BEEN WATCHING YOU, CLAIRE. 355 00:20:33,273 --> 00:20:35,526 THESE ARE MY NOTES. 356 00:20:35,526 --> 00:20:37,653 I'M VERY THOROUGH. 357 00:20:37,653 --> 00:20:39,488 ALL THE DATA'S BEEN ENTERED INTO THE SYSTEM. 358 00:20:39,488 --> 00:20:40,614 FOR HOW LONG? 359 00:20:40,614 --> 00:20:41,866 TWO YEARS. 360 00:20:43,492 --> 00:20:44,744 THERE'S MORE. 361 00:20:47,329 --> 00:20:49,582 IT'S IMPORTANT FOR JOE TO SHARE YOUR LIFE. 362 00:20:49,582 --> 00:20:51,375 WHY? 363 00:20:51,375 --> 00:20:52,501 HE LOVES YOU VERY MUCH. 364 00:20:52,501 --> 00:20:54,128 HE LOVES ME? HE TRIED TO KILL ME. 365 00:20:54,128 --> 00:20:55,546 HE DOESN'T WANT YOU TO DIE. 366 00:20:55,546 --> 00:20:57,506 HE'S HOPING VERY MUCH YOU'LL SURVIVE THIS. 367 00:21:17,693 --> 00:21:19,028 YOU FILMED THIS? 368 00:21:21,239 --> 00:21:23,032 DID DENISE--OR EMMA. WHATEVER HER NAME IS. 369 00:21:23,032 --> 00:21:24,283 DID SHE KNOW? DID SHE KNOW ABOUT THIS? 370 00:21:24,283 --> 00:21:25,576 NO. I KNEW ABOUT HER, 371 00:21:25,576 --> 00:21:27,245 BUT SHE DIDN'T KNOW ABOUT ME. 372 00:21:27,245 --> 00:21:29,038 JOE DIDN'T WANT HER INVOLVED. 373 00:21:29,038 --> 00:21:32,083 EVERYONE PLAYS THEIR OWN PART, CLAIRE. 374 00:21:33,876 --> 00:21:35,086 YOU'RE MY PART. 375 00:21:39,257 --> 00:21:40,466 RODERICK WROTE BACK. 376 00:21:40,466 --> 00:21:42,135 IS HE SENDING MORE HELP? 377 00:21:42,135 --> 00:21:44,262 HE DOESN'T SAY. HE SAID HE'LL CONTACT US 378 00:21:44,262 --> 00:21:45,638 SOON ON THE SATELLITE PHONE. 379 00:21:45,638 --> 00:21:47,431 SHUT DOWN ALL ONLINE CORRESPONDENCE. 380 00:21:47,431 --> 00:21:49,142 IT'S NO LONGER SECURE. [LAPTOP CLOSES] 381 00:21:49,142 --> 00:21:50,392 THAT'S ALL HE SAID? 382 00:21:51,602 --> 00:21:53,146 HE SAID FOR US TO BE READY. 383 00:21:53,146 --> 00:21:54,354 READY FOR WHAT? 384 00:22:04,198 --> 00:22:05,365 THEY'RE BACKING OFF. 385 00:22:06,366 --> 00:22:07,493 WHERE'S HIS PHONE? 386 00:22:11,664 --> 00:22:13,124 WHAT ARE YOU DOING? 387 00:22:13,124 --> 00:22:15,835 WE NEED TO DELAY THINGS UNTIL RODERICK CALLS. 388 00:22:15,835 --> 00:22:17,544 I THOUGHT I COULD LET THE FBI HELP WITH THAT. 389 00:22:17,544 --> 00:22:18,587 Paul: WHERE'S JACOB? 390 00:22:18,587 --> 00:22:19,672 Emma: HE'S CHECKING ON JOEY. 391 00:22:19,672 --> 00:22:22,675 HOW'S HE DOING WITH EVERYTHING? 392 00:22:22,675 --> 00:22:24,177 WHAT DO YOU MEAN? 393 00:22:24,177 --> 00:22:25,343 YOU KNOW WHAT I MEAN. 394 00:22:26,344 --> 00:22:27,554 WITH US? 395 00:22:30,266 --> 00:22:32,185 SO NOT THE TIME, PAUL. 396 00:22:35,479 --> 00:22:37,690 OH, WOW. THIS IS INTERESTING. 397 00:22:37,690 --> 00:22:41,735 SO, YOU'RE SLEEPING WITH EMMA, TOO? 398 00:22:41,735 --> 00:22:43,070 OR JUST JACOB, OR BOTH? 399 00:22:43,070 --> 00:22:44,530 YOU HAVE NO IDEA WHAT'S GOING ON. 400 00:22:44,530 --> 00:22:45,781 YEAH, YOU'RE RIGHT. I DON'T, 401 00:22:45,781 --> 00:22:47,574 BECAUSE IN MY HEAD, I GOT THIS WHOLE 402 00:22:47,574 --> 00:22:50,368 THREE-WAY SCENARIO GOING ON HERE... 403 00:22:50,368 --> 00:22:53,998 YOU LIKE JACOB BUT JACOB LIKES EMMA. 404 00:22:53,998 --> 00:22:56,542 EMMA JUST WANTS TO CONTROL YOU BOTH, BUT-- 405 00:22:57,543 --> 00:22:59,003 THAT CAN'T BE IT. CAN IT? 406 00:22:59,003 --> 00:23:02,256 I MEAN--COME ON. REALLY? 407 00:23:08,804 --> 00:23:11,431 PARKER. RYAN'S PHONE. 408 00:23:15,686 --> 00:23:17,395 YOU HAVE AGENT PARKER. WHO IS THIS? 409 00:23:18,689 --> 00:23:20,607 IT'S EMMA. 410 00:23:20,607 --> 00:23:23,110 HELLO, EMMA. WHAT CAN I DO FOR YOU? 411 00:23:25,696 --> 00:23:29,033 YOU'RE RIGHT. I DO MISS MY MOTHER. 412 00:23:31,202 --> 00:23:33,620 YOU DID NOT CALL ME TO TELL ME THAT. 413 00:23:33,620 --> 00:23:34,663 WHAT'S GOING ON IN THERE? 414 00:23:34,663 --> 00:23:35,998 WHY ARE YOU PLAYING WITH ME? 415 00:23:35,998 --> 00:23:38,918 SHE WAS SLUTTY, MY MOM. 416 00:23:38,918 --> 00:23:42,088 SHE BROUGHT GUYS HOME ALL THE TIME, 417 00:23:42,088 --> 00:23:44,757 ESPECIALLY DURING MY FORMATIVE YEARS. 418 00:23:44,757 --> 00:23:48,844 I COULD HEAR THEM IN HER BEDROOM. 419 00:23:48,844 --> 00:23:50,304 IS THAT WHY YOU KILLED HER? 420 00:23:50,304 --> 00:23:51,889 I KILLED HER TO BE FREE. 421 00:23:53,640 --> 00:23:55,475 SHE TRIED TO MAKE ME SOMETHING I'M NOT. 422 00:23:55,475 --> 00:23:58,478 YES, PARENTS DO LIKE TO CONTROL US. 423 00:23:58,478 --> 00:24:01,439 NOT ANYMORE. NOBODY TELLS ME WHAT TO DO. 424 00:24:01,439 --> 00:24:02,649 EXCEPT JOE. 425 00:24:04,068 --> 00:24:06,279 I MAKE MY OWN CHOICES. HOW SO? 426 00:24:06,279 --> 00:24:09,865 DIDN'T YOU JUST REPLACE ONE PARENT WITH ANOTHER? 427 00:24:09,865 --> 00:24:11,158 HOW'S IT DIFFERENT? 428 00:24:11,158 --> 00:24:13,077 AREN'T YOU ONLY DOING WHAT JOE WANTS? 429 00:24:13,077 --> 00:24:16,622 I CHOSE JOE. HE WAS MY CHOICE. 430 00:24:16,622 --> 00:24:18,665 WE CANNOT CHOOSE OUR PARENTS, 431 00:24:18,665 --> 00:24:20,126 BUT WE CAN BREAK FREE OF THEM, 432 00:24:20,126 --> 00:24:21,752 AND THAT'S WHAT I DID. 433 00:24:23,754 --> 00:24:25,714 EMMA? EMMA! 434 00:24:30,803 --> 00:24:32,763 YOU'VE COME A LONG WAY. 435 00:24:32,763 --> 00:24:34,765 I'VE MISSED YOU. 436 00:24:34,765 --> 00:24:37,559 IT'S BEEN SO LONG. 437 00:24:37,559 --> 00:24:39,645 I WANTED TO KNOW HOW YOU ARE. 438 00:24:39,645 --> 00:24:41,814 YOU NEVER SHOULD HAVE LEFT, DEBRA. 439 00:24:41,814 --> 00:24:43,107 I DIDN'T BELONG HERE. 440 00:24:43,107 --> 00:24:45,151 Man: THAT'S NOT TRUE. 441 00:24:45,151 --> 00:24:48,654 YOU HAD GREAT POTENTIAL. 442 00:24:48,654 --> 00:24:49,863 I COULD TALK TO THE COUNCIL. 443 00:24:49,863 --> 00:24:51,115 THEY MIGHT TAKE YOU BACK. 444 00:24:51,115 --> 00:24:53,826 NO, DAD. THAT'S NOT WHY I'M HERE. 445 00:24:54,994 --> 00:24:56,412 THEN WHY ARE YOU HERE? 446 00:24:57,997 --> 00:24:59,999 YOU'RE MY PARENTS. 447 00:24:59,999 --> 00:25:02,418 I WANTED TO SEE YOU. WE'RE FAMILY. 448 00:25:04,878 --> 00:25:06,046 Weston: AGENT PARKER. 449 00:25:07,423 --> 00:25:11,093 EMMA'S STALLING. DID YOU TRACK THAT E-MAIL? 450 00:25:11,093 --> 00:25:12,594 NO. STILL TRYING. 451 00:25:12,594 --> 00:25:14,763 THEY'VE CONTACTED SOMEONE. THEY'RE BUYING TIME. 452 00:25:18,642 --> 00:25:19,643 WHERE'S EMMA? 453 00:25:19,643 --> 00:25:20,894 SHE'S IN THE KITCHEN. 454 00:25:20,894 --> 00:25:22,229 SO, JACOB, 455 00:25:22,229 --> 00:25:23,897 HOW'S THE WHOLE THREE-WAY THING WORK? 456 00:25:25,107 --> 00:25:26,317 YOU TOLD HIM? 457 00:25:28,277 --> 00:25:29,862 I CALLED THAT. NOT BAD, HUH? 458 00:25:29,862 --> 00:25:31,489 HE'S RUNNING HIS MOUTH. DON'T LISTEN TO HIM. 459 00:25:31,489 --> 00:25:33,073 Ryan: WELL, I MEAN, IT MAKES SENSE, RIGHT? 460 00:25:33,073 --> 00:25:35,701 BECAUSE YOU'RE POSING AS A GAY COUPLE FOR THAT LONG. 461 00:25:35,701 --> 00:25:38,412 SOONER OR LATER, YOU GOTTA PUT OUT. 462 00:25:38,412 --> 00:25:41,623 HEY--HEY. DON'T LISTEN TO HIM. LET HIM TALK. 463 00:25:42,749 --> 00:25:43,876 I KNOW YOU LOVE EMMA. 464 00:25:43,876 --> 00:25:45,627 FOR THE LOVE OF GOD, YOU... 465 00:25:45,627 --> 00:25:47,087 SHUT YOUR MOUTH! 466 00:25:47,087 --> 00:25:48,755 YOU WANT ME TO KILL THAT GIRL? HUH? 467 00:25:48,755 --> 00:25:50,508 NOBODY THINKS THAT I CAN. 468 00:25:50,508 --> 00:25:51,549 GUYS, GUYS, STOP! 469 00:25:51,549 --> 00:25:52,926 OK, DON'T SHOOT, DON'T SHOOT! 470 00:25:52,926 --> 00:25:54,387 WE NEED TO SIT DOWN. 471 00:25:54,387 --> 00:25:57,723 JACOB. JACOB, TAKE-- 472 00:25:57,723 --> 00:25:59,225 JUST KEEP IT TOGETHER. 473 00:25:59,225 --> 00:26:00,934 ALL RIGHT? JUST KEEP IT TOGETHER. 474 00:26:12,405 --> 00:26:14,407 HEY. I GOT SOMETHING. 475 00:26:14,407 --> 00:26:16,492 I UNSCRAMBLED AN E-MAIL SENT ON THEIR SERVER. 476 00:26:16,492 --> 00:26:18,411 "WHAT'S YOUR ETA? I HAVE CLAIRE." 477 00:26:18,411 --> 00:26:19,661 SENT FROM A WAREHOUSE IN RICHMOND. 478 00:26:19,661 --> 00:26:21,038 IT'S GOTTA BE CLAIRE MATTHEWS. 479 00:26:21,038 --> 00:26:22,164 GET TURNER ON THE LINE IMMEDIATELY 480 00:26:22,164 --> 00:26:23,541 AND GIVE HIM A LOCATION. 481 00:26:23,541 --> 00:26:24,750 Officer: SWAT IS HERE. 482 00:26:24,750 --> 00:26:26,168 GOOD. LET'S GET YOU GUYS IN POSITION. 483 00:26:26,168 --> 00:26:27,461 JUST GIVE US THE WORD, MA'AM, 484 00:26:27,461 --> 00:26:28,962 AND WE'LL TAKE THAT HOUSE, NO PROBLEM. 485 00:26:28,962 --> 00:26:30,756 I WANT THE CHILD SAFE FIRST. 486 00:26:30,756 --> 00:26:32,632 I GOT TWO WELL-TRAINED SHARPSHOOTERS. 487 00:26:32,632 --> 00:26:34,510 AND I'VE GOT A CHILD, AN INNOCENT GIRL, 488 00:26:34,510 --> 00:26:35,635 AND ONE OF MY AGENTS IN THERE. 489 00:26:35,635 --> 00:26:36,970 CAN YOU GUARANTEE ME THEIR SAFETY? 490 00:26:36,970 --> 00:26:39,098 GUARANTEE? NO, MA'AM. 491 00:26:39,098 --> 00:26:40,891 OK, THEN. GET YOUR MEN IN POSITION 492 00:26:40,891 --> 00:26:42,351 BUT STAND DOWN UNTIL I TELL YOU OTHERWISE. 493 00:26:42,351 --> 00:26:43,601 Weston: I'LL GO ON SITE WITH SWAT. 494 00:26:43,601 --> 00:26:45,229 I'M GOING, TOO. I KNOW THE PROPERTY. 495 00:26:54,654 --> 00:26:56,782 YEAH, IT'S ME. I NEED TO SPEAK TO RODERICK. 496 00:26:58,158 --> 00:26:59,659 I HAVEN'T HEARD FROM HANK. 497 00:26:59,659 --> 00:27:02,704 NO, NOTHING. I DON'T HAVE THE BOY. 498 00:27:02,704 --> 00:27:05,207 ARE YOU SURE? DON'T DOUBT ME, RODERICK. 499 00:27:05,207 --> 00:27:06,459 I CAN DO THIS. 500 00:27:06,459 --> 00:27:08,127 I STILL HAVE HER WITHOUT THE BOY. 501 00:27:13,382 --> 00:27:14,883 WHAT DO YOU WANT ME TO DO 502 00:27:14,883 --> 00:27:15,968 WITH CLAIRE MATTHEWS? 503 00:27:46,373 --> 00:27:48,041 DON'T DO THIS, CLAIRE. 504 00:28:05,351 --> 00:28:06,352 AAH! 505 00:28:06,352 --> 00:28:07,853 DON'T DO THAT AGAIN. 506 00:28:17,279 --> 00:28:18,489 IN POSITION. ALL CLEAR. 507 00:28:31,460 --> 00:28:32,503 BE RIGHT BACK. 508 00:28:39,259 --> 00:28:40,844 MUST HAVE BEEN AN IMPORTANT CALL. 509 00:28:46,350 --> 00:28:47,851 WE'RE GOOD. EVERYTHING'S COOL. 510 00:28:47,851 --> 00:28:48,977 WHAT--WHAT DOES THAT MEAN? 511 00:28:48,977 --> 00:28:50,020 WHAT--WHAT ARE WE SUPPOSED TO DO? 512 00:28:50,020 --> 00:28:51,146 KEEP IT TOGETHER, PAUL. 513 00:28:51,146 --> 00:28:52,690 JUST SIT TIGHT A LITTLE WHILE LONGER. 514 00:28:52,690 --> 00:28:53,982 I'M GONNA CHECK ON JOEY. 515 00:28:53,982 --> 00:28:55,817 WHAT'S GOING ON HERE? RELAX. 516 00:28:57,944 --> 00:29:00,072 HAVE A LITTLE FAITH, PAUL. 517 00:29:02,491 --> 00:29:05,619 YEAH, PAUL. PLACE IS SURROUNDED BY COPS. 518 00:29:05,619 --> 00:29:10,499 ALL THE ROADS ARE CLOSED. NO WAY OUT BUT-- 519 00:29:10,499 --> 00:29:11,750 HAVE A LITTLE FAITH. 520 00:29:27,433 --> 00:29:29,518 HEY, THERE, SLEEPY HEAD. WAKE UP. 521 00:29:30,477 --> 00:29:33,480 WAKE UP. WAKE UP. 522 00:29:33,480 --> 00:29:34,732 WHAT'S GOING ON? 523 00:29:34,732 --> 00:29:36,316 COME ON. I GOTTA GO. 524 00:29:36,316 --> 00:29:38,694 COME ON. THERE YOU GO. COME ON. 525 00:29:59,298 --> 00:30:03,051 I'M SORRY I RAN OFF. I GOT SCARED. 526 00:30:03,051 --> 00:30:04,470 I HEARD YOU SAY SOMETHING WAS WRONG, 527 00:30:04,470 --> 00:30:05,721 AND I JUST WANTED TO GET AWAY. 528 00:30:05,721 --> 00:30:06,930 I MEAN, IF JOEY'S NOT COMING HERE, 529 00:30:06,930 --> 00:30:08,265 THEN WHY CAN'T I GO HOME? 530 00:30:08,265 --> 00:30:10,100 THAT WAS NEVER THE PLAN, CLAIRE. 531 00:30:13,562 --> 00:30:16,022 WHAT IS THE PLAN, CHARLIE? 532 00:30:16,022 --> 00:30:17,733 THERE ARE CERTAIN THINGS I CAN'T TELL YOU. 533 00:30:18,817 --> 00:30:20,319 YOU TELL ME WHO RODERICK IS? 534 00:30:22,321 --> 00:30:23,530 CAN'T TELL YOU THAT, EITHER. 535 00:30:23,530 --> 00:30:25,198 THAT'S NOT HIS REAL NAME, IS IT? 536 00:30:25,198 --> 00:30:27,451 THE MAIN CHARACTER IN "THE FALL OF THE HOUSE OF USHER" 537 00:30:27,451 --> 00:30:29,244 BY EDGAR ALLAN POE, WASN'T IT? 538 00:30:29,244 --> 00:30:30,912 ALL I CAN TELL YOU 539 00:30:30,912 --> 00:30:32,790 IS THAT HE'S A FRIEND OF JOE'S. 540 00:30:34,583 --> 00:30:35,959 WHAT IS JOE DOING? 541 00:30:38,044 --> 00:30:40,714 HMM? WHY DO YOU LISTEN TO HIM? 542 00:30:45,302 --> 00:30:46,970 WHAT IS THIS ALL ABOUT? 543 00:30:49,640 --> 00:30:53,935 HE'S TEACHING ME TO FEEL MY LIFE. 544 00:30:53,935 --> 00:30:56,188 CLAIRE WORKED ALL WEEK. SHE WENT TO HE DOCTOR. 545 00:30:56,188 --> 00:30:57,773 SHE TOOK JOEY ALL OVER THE PLACE-- 546 00:30:57,773 --> 00:30:59,232 SOCCER, PIANO. 547 00:30:59,232 --> 00:31:01,443 SHE WENT TO A CELINE DION CONCERT ON FRIDAY 548 00:31:01,443 --> 00:31:02,569 WITH HER FRIEND LISA. 549 00:31:02,569 --> 00:31:06,114 CELINE DION? OH, GOOD GOD. 550 00:31:06,114 --> 00:31:08,116 IT WAS A BENEFIT. 551 00:31:10,285 --> 00:31:13,664 CLAIRE LOOKED GREAT. LITTLE BLACK DRESS. 552 00:31:13,664 --> 00:31:15,749 YOU'VE FALLEN FOR HER, HAVEN'T YOU? 553 00:31:18,585 --> 00:31:19,919 I WOULD NEVER BE INAPPROPRIATE. 554 00:31:19,919 --> 00:31:22,130 I KNOW THAT, CHARLIE. 555 00:31:22,130 --> 00:31:24,508 IT'S EASY TO FALL FOR A WOMAN LIKE CLAIRE. 556 00:31:27,594 --> 00:31:29,346 YOU CAN TRUST ME, SIR. 557 00:31:29,346 --> 00:31:30,681 I KNOW I CAN. 558 00:31:31,765 --> 00:31:33,183 IT'S WHY YOU'RE HERE. 559 00:31:43,569 --> 00:31:45,153 I SHOULDN'T HAVE DONE THAT. 560 00:31:46,363 --> 00:31:48,990 I SHOULD NEVER TOUCH YOU LIKE THAT. 561 00:31:48,990 --> 00:31:50,409 IT'S IMPURE. 562 00:32:01,002 --> 00:32:02,421 WHAT'S TAKING HER SO LONG? 563 00:32:03,881 --> 00:32:05,465 GO UPSTAIRS AND GET HER. 564 00:32:20,272 --> 00:32:22,148 SHE'S NOT UPSTAIRS. 565 00:32:22,148 --> 00:32:23,692 WHAT? I LOOKED ALL OVER THE PLACE. 566 00:32:23,692 --> 00:32:25,068 SHE AND JOEY ARE BOTH GONE. 567 00:32:25,068 --> 00:32:26,486 THEY MUST HAVE GONE DOWN THE BACK STAIRS 568 00:32:26,486 --> 00:32:27,780 OUT THROUGH THE BACK DOOR. 569 00:32:27,780 --> 00:32:28,988 WHAT ARE WE GONNA DO? 570 00:32:28,988 --> 00:32:30,449 I DON'T KNOW. JUST LET ME THINK. 571 00:32:37,956 --> 00:32:39,957 RUN TO THE STREET. DON'T STOP. 572 00:32:39,957 --> 00:32:41,042 HELP WILL BE THERE. 573 00:32:43,044 --> 00:32:44,379 HOLD YOUR FIRE. 574 00:32:44,379 --> 00:32:46,172 IT'S THE GIRL. SHE'S GETTING AWAY. 575 00:32:52,345 --> 00:32:53,722 WE'RE IN TROUBLE. 576 00:32:58,644 --> 00:32:59,645 MIKE. Weston: HEY, RYAN. 577 00:32:59,645 --> 00:33:01,187 EMMA'S RUNNING, 578 00:33:01,187 --> 00:33:02,815 SOUTHWEST CORNER OF THE PROPERTY, TOWARDS THE WOODS. 579 00:33:02,815 --> 00:33:03,816 SHE'S GOT JOEY. 580 00:33:03,816 --> 00:33:05,609 GOT IT. THAT WAS HARDY. 581 00:33:05,609 --> 00:33:07,110 EMMA AND JOEY ARE ON THEIR WAY. 582 00:33:07,110 --> 00:33:08,194 EYES UP. 583 00:33:12,532 --> 00:33:14,242 FBI. SHOW YOUR HANDS. DO IT NOW! 584 00:33:14,242 --> 00:33:15,452 OK... SHOW YOUR HANDS. 585 00:33:15,452 --> 00:33:18,079 GET ON THE GROUND. DO IT NOW. 586 00:33:18,079 --> 00:33:19,706 ALL THE WAY. MOVE IT! 587 00:33:30,550 --> 00:33:32,093 COME ON, JOEY. STAY WITH ME. WE'RE ALMOST THERE. 588 00:33:32,093 --> 00:33:33,094 WHERE ARE WE GOING? 589 00:33:33,094 --> 00:33:34,262 SOMEPLACE SAFE, 590 00:33:34,262 --> 00:33:35,806 AWAY FROM THE PEOPLE WHO WILL HURT YOU. 591 00:33:35,806 --> 00:33:37,349 WHAT ABOUT JACOB AND PAUL? 592 00:33:38,767 --> 00:33:40,059 THEY'LL BE FINE. 593 00:33:40,059 --> 00:33:41,144 DON'T MOVE! 594 00:33:44,105 --> 00:33:45,649 HANDS IN THE AIR NOW. 595 00:33:47,108 --> 00:33:49,611 JOEY, IT'S OK. 596 00:33:49,611 --> 00:33:50,696 WE'RE GONNA HELP YOU. 597 00:33:58,537 --> 00:34:00,455 I'M WITH RODERICK. LET'S GO. 598 00:34:00,455 --> 00:34:01,498 COME ON! 599 00:34:07,086 --> 00:34:08,547 LET ME HELP YOU. I'M OK. 600 00:34:08,547 --> 00:34:09,756 THEN YOU NEED TO HELP ME, 601 00:34:09,756 --> 00:34:10,966 BECAUSE YOU KNOW WHERE JOEY IS. 602 00:34:10,966 --> 00:34:12,592 I'M GONNA TAKE YOU TO HIM. 603 00:34:14,093 --> 00:34:15,512 OK? I PROMISE. 604 00:34:17,138 --> 00:34:19,098 WHAT IS THAT? SOMEBODY'S HERE. 605 00:34:20,893 --> 00:34:22,519 DAMN IT. Man: FEDERAL AGENTS! 606 00:34:22,519 --> 00:34:23,729 GET DOWN ON THE GROUND NOW! 607 00:34:23,729 --> 00:34:24,771 AAH! 608 00:34:38,869 --> 00:34:39,995 THEY'RE GONE, SIR. 609 00:34:43,874 --> 00:34:46,125 AGENT PARKER, HARDY'S OUT OF THE HOUSE. 610 00:34:46,125 --> 00:34:47,669 SO IS JOEY AND THE NANNY. 611 00:34:47,669 --> 00:34:50,338 THE TWO MEN ARE STILL INSIDE. 612 00:34:50,338 --> 00:34:51,882 TAKE IT DOWN. YES, MA'AM. 613 00:34:58,430 --> 00:35:00,098 UHH. IT'S OK. 614 00:35:01,433 --> 00:35:03,560 I CAN'T BELIEVE EMMA LEFT. 615 00:35:03,560 --> 00:35:04,603 WHY WOULD SHE LEAVE? 616 00:35:04,603 --> 00:35:05,687 I DON'T KNOW. I DON'T KNOW. 617 00:35:05,687 --> 00:35:06,730 BUT WE GOTTA GET OUT OF HERE. 618 00:35:16,615 --> 00:35:18,658 DON'T SHOOT! DON'T SHOOT. WE SURRENDER. 619 00:35:26,750 --> 00:35:27,918 RODERICK SENT US. 620 00:35:27,918 --> 00:35:29,711 GO OUT THE BACK. GO. NOW. 621 00:35:35,008 --> 00:35:36,051 MIKE. 622 00:35:36,969 --> 00:35:40,931 MIKE. MIKE. MIKE. MIKE. 623 00:35:42,515 --> 00:35:44,893 AVA. THE LOCAL COP. 624 00:35:44,893 --> 00:35:46,478 SHE'S IN ON IT. SHE SHOT ME POINT BLANK. 625 00:35:48,688 --> 00:35:50,482 WHERE'D SHE GO? THAT WAY. 626 00:35:50,482 --> 00:35:52,109 I'M FINE. I'M WEARING A VEST. 627 00:36:09,292 --> 00:36:10,627 FULL TANK. EVERYTHING YOU NEED 628 00:36:10,627 --> 00:36:11,628 IS IN THE GLOVE COMPARTMENT. 629 00:36:11,628 --> 00:36:12,963 THE KEYS ARE IN THE IGNITION. 630 00:36:12,963 --> 00:36:14,047 WHERE ARE WE GOING? 631 00:36:14,047 --> 00:36:15,966 I TOLD YOU. FAR AWAY. 632 00:36:15,966 --> 00:36:17,174 WHERE THEY WON'T SHOOT AT US. 633 00:36:17,174 --> 00:36:18,969 BETTER GET MOVING. STOP RIGHT THERE! 634 00:36:21,471 --> 00:36:24,141 NO. JOEY, NO. WAIT. 635 00:36:30,313 --> 00:36:31,397 OH. 636 00:36:46,454 --> 00:36:47,956 MAN, YOU SCARED ME. YOU OK? 637 00:36:47,956 --> 00:36:49,166 I'VE BEEN BETTER. 638 00:36:49,166 --> 00:36:51,918 OH! UHH! 639 00:37:05,849 --> 00:37:07,684 WE BLOCKED OFF EVERY ROAD IN A 10-MILE RADIUS. 640 00:37:07,684 --> 00:37:09,019 NOBODY'S SEEN HIM YET. 641 00:37:09,019 --> 00:37:10,770 HOW THE HELL DID THEY GET OUT OF HERE? 642 00:37:10,770 --> 00:37:12,313 THOUGHT YOU HAD THIS PLACE ON LOCKDOWN. 643 00:37:12,313 --> 00:37:14,900 CARROLL'S PEOPLE KILLED TWO OF OUR SWAT GUYS 644 00:37:14,900 --> 00:37:16,442 GUARDING THE SOUTHWEST EXIT, 645 00:37:16,442 --> 00:37:19,654 TOOK THEIR WEAPONS, POSED AS SWAT, KILLED TWO MORE. 646 00:37:19,654 --> 00:37:21,489 THEY PLANTED A POLICE OFFICER IN TOWN. 647 00:37:21,489 --> 00:37:22,615 HOW DID THEY DO THAT? 648 00:37:24,241 --> 00:37:25,535 THEY HAVE TACTICAL RESOURCES. 649 00:37:25,535 --> 00:37:27,162 I MEAN, WHO ARE THESE PEOPLE? 650 00:37:31,791 --> 00:37:33,043 RYAN, ARE YOU OK? 651 00:37:34,002 --> 00:37:35,045 JUST LET HIM GO. 652 00:38:08,369 --> 00:38:10,747 HOW DID JOE CARROLL BRING ALL THESE PEOPLE TOGETHER? 653 00:38:10,747 --> 00:38:11,873 WHERE DID THEY COME FROM? 654 00:38:11,873 --> 00:38:14,667 CULT MENTALITY IS ONE OF UNITY. 655 00:38:14,667 --> 00:38:15,961 IT'S HUMAN NATURE. 656 00:38:17,462 --> 00:38:19,089 WE ALL WANT TO BELONG. 657 00:38:20,590 --> 00:38:22,383 IT'S A PRIMAL NEED. 658 00:38:22,383 --> 00:38:23,885 Man: THEN WHY ARE YOU HERE? 659 00:38:25,344 --> 00:38:27,680 YOU'RE MY PARENTS. 660 00:38:27,680 --> 00:38:30,391 I WANTED TO SEE YOU. WE'RE FAMILY. 661 00:38:30,391 --> 00:38:31,434 Woman: NO. 662 00:38:33,228 --> 00:38:34,938 NO, SHE CAME OUT OF GUILT. 663 00:38:34,938 --> 00:38:37,023 SHE WANTS OUR FORGIVENESS. 664 00:38:37,023 --> 00:38:38,650 IS THAT WHAT YOU THINK? 665 00:38:38,650 --> 00:38:41,236 YOU DESTROYED US. 666 00:38:41,236 --> 00:38:42,988 YOU RAN OFF IN THE MIDDLE OF THE NIGHT. 667 00:38:42,988 --> 00:38:45,865 WE LOST OUR STANDING. WE WERE ALMOST EXILED. 668 00:38:49,119 --> 00:38:50,287 NO, MOM. 669 00:38:51,288 --> 00:38:52,872 I DON'T WANT YOUR FORGIVENESS. 670 00:38:54,499 --> 00:38:56,293 I CAME TO FORGIVE YOU... 671 00:39:01,464 --> 00:39:02,841 AND TELL YOU THAT I LOVE YOU. 672 00:39:04,509 --> 00:39:05,718 BOTH OF YOU. 673 00:39:07,804 --> 00:39:09,681 AND I ALWAYS WILL. 674 00:39:22,902 --> 00:39:24,154 PLEASE REMEMBER THAT. 675 00:39:34,789 --> 00:39:36,291 WHAT HAVE YOU DONE? 676 00:39:37,375 --> 00:39:38,375 YOU HAVE TO. 677 00:39:38,375 --> 00:39:39,336 NO. NO, MOTHER. 678 00:39:39,336 --> 00:39:41,338 YOU HAVE TO. I'M NOT GOING. 679 00:39:43,882 --> 00:39:46,259 YOU HAVE TO. [CRYING] 680 00:39:47,635 --> 00:39:50,263 SHH, SHH, SHH. 681 00:40:06,821 --> 00:40:08,907 [INDISTINCT VOICES ON POLICE RADIO] 682 00:40:11,159 --> 00:40:14,453 THE FBI COMPROMISED A FARMHOUSE IN DUTCHESS COUNTY, 683 00:40:14,453 --> 00:40:16,039 BUT YOUR PEOPLE GOT OUT SAFELY... 684 00:40:17,290 --> 00:40:18,624 INCLUDING YOUR SON. 685 00:40:18,624 --> 00:40:20,626 THE FBI HAS NO IDEA WHERE HE IS. 686 00:40:23,338 --> 00:40:26,049 AND NOW IT'S TIME. 687 00:40:26,049 --> 00:40:27,259 FOR WHAT? 688 00:40:28,885 --> 00:40:30,595 THE NEXT PART OF THE STORY. 689 00:40:33,723 --> 00:40:36,226 GOOD MORNING. I FILED A MOTION 690 00:40:36,226 --> 00:40:38,603 ON BEHALF OF MY CLIENT JOE CARROLL 691 00:40:38,603 --> 00:40:40,813 WITH THE FEDERAL BUREAU OF PRISONS 692 00:40:40,813 --> 00:40:43,482 FOR VIOLATIONS OF THE EIGHTH AMENDMENT. 693 00:40:43,482 --> 00:40:45,026 MR. CARROLL HAS BEEN SUBJECT TO 694 00:40:45,026 --> 00:40:48,113 NUMEROUS INCIDENTS OF ABUSE BY THE FBI. 695 00:40:48,113 --> 00:40:50,740 THIS ABUSE HAS TO STOP IMMEDIATELY. 696 00:40:50,740 --> 00:40:52,992 ALSO, WE HAVE REQUESTED THAT... 697 00:40:52,992 --> 00:40:54,286 RYAN HARDY'S HERE. 698 00:42:09,444 --> 00:42:11,737 Paul: EMMA. HELLO? 699 00:42:11,737 --> 00:42:13,739 EMMA. EMMA, COME ON, SAY SOMETHING. 700 00:42:13,739 --> 00:42:14,866 I KNOW THAT YOU'RE THERE. 701 00:42:15,950 --> 00:42:18,953 EMMA. EMMA, WHERE ARE YOU? 702 00:42:18,953 --> 00:42:20,246 YOU LEFT US? 703 00:42:21,289 --> 00:42:22,623 WHY DID YOU LEAVE US? 704 00:42:24,167 --> 00:42:25,210 EMMA! 705 00:42:31,132 --> 00:42:34,386 HANG ON. HANG ON. LOOK AT ME. 706 00:42:34,386 --> 00:42:36,429 I'M GONNA GET US SOME HELP. 707 00:42:36,429 --> 00:42:38,264 JUST HANG ON. 708 00:42:38,264 --> 00:42:42,227 THANK YOU FOR NOT LEAVING ME. 709 00:42:42,227 --> 00:42:43,395 BREATHE.